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            <title xml:lang="en">"Such cruel pride of blood and color": reading the slave narratives through the lens of humanisation.</title>
            <title xml:lang="fr">"Such cruel pride of blood and color": relire les récits d'esclaves au prisme de l'humanisation.</title>
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                <title xml:lang="en">"Such cruel pride of blood and color": reading the slave narratives through the lens of humanisation.</title>
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                <authority type="supervisor">Nathalie Dessens</authority>
                <authority type="jury">Claire Parfait [Président]</authority>
                <authority type="jury">Claire Bourhis-Mariotti [Rapporteur]</authority>
                <authority type="jury">Jean-Pierre Le Glaunec [Rapporteur]</authority>
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                <term xml:lang="en">United States</term>
                <term xml:lang="en">color</term>
                <term xml:lang="en">blood</term>
                <term xml:lang="en">humanisation</term>
                <term xml:lang="en">slave narratives</term>
                <term xml:lang="fr">Etats-Unis</term>
                <term xml:lang="fr">Couleur</term>
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              <p>The corpus under study for this dissertation consists of 53 slave narratives from the United States and the Caribbean Islands published between 1787 and 1864 which are considered as collective autobiographies and political speeches. Together they create a specific category of narratives, “the antislavery slave narratives”. The aim of the narrators was to humanize all the slaves, and not only themselves so their autobiographies is as much about the other slaves as it is about the ones telling the story. Thematically, this objective to humanize all the slaves is seen through the images of blood and skin color, which are studied in all their semantic and lexical fields, in their literal as well as metaphorical meanings. The narrators denounce the violence of slavery through scenes in which blood is spilled but they also deconstruct racial stereotypes and claim a new identity for all the Blacks, far from the clichés spread about them.</p>
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              <p>Cette thèse étudie 53 récits d’esclaves des États-Unis et de la Caraïbe publiés entre 1787 et 1864 qui sont envisagés comme des autobiographies collectives et des discours politiques. Ensemble, ils forment une catégorie particulière de récits, les « récits d’esclaves antiesclavagistes ». Le but des narrateurs était d’humaniser tous les esclaves, pas seulement eux-mêmes, et, ainsi, leur autobiographie parle autant des autres esclaves que de ceux qui racontent leur histoire. Sur le plan thématique, cet objectif d’humanisation de tous les esclaves est visible à travers les images du sang et de la couleur de peau, qui sont envisagées dans tous leurs champs sémantiques et lexicaux, dans leur sens littéral mais aussi métaphorique. Les narrateurs dénoncent la violence de l’esclavage à travers des scènes où le sang coule mais ils déconstruisent également les stéréotypes raciaux et revendiquent une nouvelle identité pour tous les Noirs, loin des clichés colportés à leur propos.</p>
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