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              <p>Vouée à la mémoire, à monumentaliser un illustre défunt (sa vie, ses vertus), l’oraison funèbre s’inscrit elle-même dans une cérémonie (la pompe funèbre) où tout est monument. Comment la pompe funèbre s’inscrit-elle dans la parole du prédicateur ? Comment sa voix vient-elle « animer » la scénographie ? Comment enfin le discours forge-t-il ses propres monuments, distincts des constructions réelles (tombeau, mausolée, images visibles) ?</p>
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