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            <title xml:lang="en">Applied research creation First clues for reflection from France</title>
            <title xml:lang="es">La investigación creación aplicada · Primeras pistas de reflexión desde Francia</title>
            <title xml:lang="fr">Recherche céation appliquée Premiers indices de réflexion depuis la France</title>
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                <title xml:lang="en">Applied research creation First clues for reflection from France</title>
                <title xml:lang="es">La investigación creación aplicada · Primeras pistas de reflexión desde Francia</title>
                <title xml:lang="fr">Recherche céation appliquée Premiers indices de réflexion depuis la France</title>
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                    <surname>Martinez Thomas</surname>
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                <term xml:lang="en">art</term>
                <term xml:lang="en">research-creation</term>
                <term xml:lang="en">applied research-creation</term>
                <term xml:lang="en">dispositive.</term>
                <term xml:lang="es">investigación-creación aplicada</term>
                <term xml:lang="es">arte</term>
                <term xml:lang="es">investigación-creación</term>
                <term xml:lang="es">dispositivo.</term>
                <term xml:lang="fr">dispositif</term>
                <term xml:lang="fr">recherche-création appliqué</term>
                <term xml:lang="fr">recherche-création</term>
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              <p>This article aims to reflect on this emerging research practice in France that is research creation, which becomes even more complex when we talk about applied research creation. The dichotomy between fundamental research and applied research raises many questions in the field of art - the status of the artist-researcher, his skills, the nature of the artistic dispositive, etc. – that the first tracks of this work are intended to clarify. Based onstudies of specific programs on the Creation and Societal Innovation platform of the University of Toulouse (https://criso.univ-tlse2.fr/), two axes of innovation are defined for this application: the design and the implementation of artistic devices adapted to social or professional spaces / the transferof artistic and literary tools, structuring models, which make it possible to renew practices in different sectors. TransMigrARTS projects (https://www.transmigrarts.com/fr/) o Which congress do we want? (https://qcvn.fr/) are significant examples of this dual dynamic.</p>
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              <p>Este artículo reflexiona acerca de esta práctica investigadora emergente en Francia que es la investigación creación, que se vuelve aun más compleja cuando se habla de investigación creación aplicada. La dicotomía entre investigación fundamental y aplicada plantean numerosos interrogantes en el campo del arte –el estatus del artista-investigador, sus habilidades, la naturaleza del dispositivo artístico, etc.– en los que estas primeras pistas pretenden indagar. A partir de estudios de programas concretos en la plataforma Creación e Innovación Social de la Universidad de Toulouse (https://criso.univ-tlse2.fr/), se definen dos ejes de innovación que guían la aplicación: el diseño e implementación de dispositivos artísticos específicos adaptados a espacios sociales o profesionales/ la transferencia de herramientas artísticas y literarias, modelos estructurantes, que puedan ser utilizados para renovar las prácticas de diferentes sectores. Los proyectos TransMigARTS (https://www.transmigrarts.com/fr/) o ¿Qué congreso queremos? (https://qcvn.fr/) son ejemplos significativos de esta doble dinámica.</p>
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              <p>Cet article se propose de réfléchir sur cette pratique de recherche émergente en France qu'est la recherche création, qui devient encore plus complexe lorsqu'on parle de recherche création appliquée. La dichotomie entre recherche fondamentale et recherche appliquée soulève de nombreuses questions dans le domaine de l'art - le statut de l'artiste-chercheur, ses compétences, la nature du dispositif artistique, etc.  que les premières pistesde ce travail sont destinées à éclaircir. A partir d'études de programmes spécifiques sur la plateforme Création et Innovation Sociétale de l'Université de Toulouse (https://criso.univ-tlse2.fr/), deux axes d'innovation sont définis pour cette application : la conception et la mise en œuvre de dispositifs artistiques adaptés aux espaces sociaux ou professionnels/ le transfert d’outils artistiques et littéraires, modèles structurants, qui permettent de renouveler les pratiques dans différents secteurs. Les projets TransMigrARTS (https://www.transmigrarts.com/fr/) o Quel congrès voulons-nous ? (https://qcvn.fr/) sont des exemples significatifs de cette double dynamique.</p>
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